Documentary investigates the whereabouts of the model who played an influential corporate character, as well as the relationship between race and technology
Back when computers were still new, Mavis Beacon was an icon for generations of children learning IT skills. Her name, along with the accompanying image of a smiling, suited Black woman, graced countless editions of some popular software that taught typing through interactive lessons and games. For Black students, to see someone who looked like them in a position of authority and knowledge, inspired assurance and aspiration. Mavis Beacon, however, did not exist; she was a fictional character represented by a photograph of Renée L’Espérance, a Haitian model whose story is now lost to history. Eager to reclaim her legacy, film-maker Jazmin Jones and collaborator Olivia McKayla Ross embarked on a years-long quest to track down the woman behind the image.
The resulting documentary is anything but conventional. Describing themselves as “E-girl detectives”, Jones and Ross draw on a wide variety of sources for their investigation. In addition to a physical headquarters – complete with an evidence board not unlike those seen in detective films of yore – there is a virtual dimension to their pursuit. We see what presumably is the cybersleuths’ desktop screen, on which memes, Google maps and search results multiply like mushrooms after the rain.
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