The Smile review – Thom Yorke on jolly and utterly joyful form

Eventim Apollo, London
Yorke, Jonny Greenwood and Tom Skinner’s pandemic-born band fly free from expectations, taking in everything from krautrock to Afrobeat

The precise status of the Smile is intriguingly TBC. Thom Yorke and Jonny Greenwood began making music with Sons of Kemet drummer Tom Skinner to stay busy during the pandemic and they have already released more music in two years than Radiohead have managed in 15. While Yorke’s solo albums were clearly a side hustle – opaque, electronic, on the run from tunes – and Greenwood’s film scores something else entirely, the Smile have enough substance to rival the day job. The restless Greenwood once said he wished that Radiohead albums were “90 per cent as good, but come out twice as often” and this is one way of getting his wish.

The Smile’s freewheeling versatility is doubly impressive live. Backlit by an LED screen which seems to manifest the title of new album Wall of Eyes, they take in galloping jazz-rock, neurotic Afrobeat, giallo terror-synths, slinky dub reggae, the hairier end of krautrock and, in the shape of the tremendous, strobe-lit Bending Hectic, a classic slow-burning rock anthem. The instrumentation, too, mutates from song to song. Half-hidden by his eternally youthful mop of hair, Greenwood wrenches an orchestra of options out of his guitar and hops from synthesiser to piano to harp on Speech Bubbles alone. Saxophonist Robert Stillman punches up the intensity, notably on majestic new song Instant Psalm.