The End We Start From review – Jodie Comer shines in all too believable disaster drama

Comer plays a young woman whose baby arrives just as environmental crisis begins to break the society around her

Here is a post-apocalyptic drama of survival, a fiercely acted and unnerving real-time demonstration of law and order breaking down. It is all the more disturbing, credible and immediate in that, unlike other examples of genre, the narrative isn’t heading for an abyss of unknowable chaos. Rather, it envisions society’s grim normalisation of disaster and loss, an evolutionary leap downwards but one in which a kind of rebirth is not ruled out.

In contrast to the American post-apocalypse of John Hillcoat’s The Road, or the European apocalypse of Michael Haneke’s Time of the Wolf, this film is a very British world-ending – because the populace are unarmed, or mostly. First-time director Mahalia Belo and screenwriter Alice Birch (who has adapted the novel by Megan Hunter) may have taken something from the 70s BBC TV classic Survivors. The film’s vision of climate change and of those low-lying British cities, naturally positioned near the very rivers and commercial waterways which are going to drown them, couldn’t be more timely. So many people imagine the effects of climate disaster in only the most abstract terms, and don’t grasp that it means fire and flood.