Dr Strangelove at 60: is this still the greatest big-screen satire?

Stanley Kubrick’s sharp and persuasive comedy about nuclear war remains a hilarious act of provocation

Sixty years ago, Columbia Pictures released the first of two black-and-white movies with the exact same premise: what if American planes with hydrogen bombs were inadvertently ordered to drop their payload on targets in the Soviet Union, potentially triggering an all-out nuclear war that wipe out humanity? The Cuban missile crisis had pushed the superpowers to the brink of conflict less than two years earlier, and film-makers were unusually eager to face their cold war nightmares head on.

The release dates were like a reversal of Karl Marx’s famous line about how history repeats itself, “first as a tragedy, second as a farce”. The farce, Stanley Kubrick’s Dr Strangelove, came first. Then the tragedy, Sidney Lumet’s Fail Safe, arrived in October. There was a lot of messy legal fallout over the common origins of the two films, but they complement each other beautifully, with only a slight difference in perspective on our inability to manage weapons of such god-like destruction.